Fresh from college, I arrived in South Korea in 1976 to teach English as a Peace Corps Volunteer, and despite my naivete, or maybe because of it, I fell in love with the country—the people, the food, the culture, the history. I have since lived and worked in many other countries, but Korea will always be my first love and I have returned many times for both work and pleasure. When I became a fiction writer, I was keen to read the work of Korean novelists who, naturally, had an even better understanding of their culture than I did, and I love staying connected to the country in this way.
It came as no surprise to me, having spent so much time in the country, that Korea has long been and still is a sexist society, and this book illustrates that sexism brutally. When I lived there, my good friend, a woman, was a professor of biochemistry, and she struggled in her career the way men didn’t have to. Also, while people thought nothing of my going out to a pub with my male friends, it was somewhat scandalous when I did the same with this woman. In this novel, set in more recent times, a young woman has similar troubles trying to find her way. For many readers, it has served as a wake-up call for Korean society.
One of the most notable novels of the year, hailed by both critics and K-pop stars alike, Kim Jiyoung, Born 1982 follows one woman's psychic deterioration in the face of rampant misogyny. In a tidy apartment on the outskirts of Seoul, millennial "everywoman" Kim Jiyoung spends her days caring for her infant daughter. But strange symptoms appear: Jiyoung begins to impersonate the voices of other women, dead and alive. As she plunges deeper into this psychosis, her concerned husband sends her to a psychiatrist. Jiyoung narrates her story to this doctor-from her birth to parents who expected a son to…
I first became aware of Han Kang through her terrific novel The Vegetarian, so when this novel came out, I was keen to read it. I was especially drawn to it because it involves Korean characters looking back at the Gwangju massacre, a horrific event that took place in 1980, just two years after I left Korea following my Peace Corps service there. When I taught at a university, anti-government demonstrations by students were already being tightly watched, and one of my students vanished in a crackdown. I never learned what happened to him, but he didn’t return to school. It was therefore fascinating to me to read these fictionalized accounts of both the incident in Gwangju and the long-term effects on survivors.
Gwangju, South Korea, 1980. In the wake of a viciously suppressed student uprising, a boy searches for his friend's corpse, a consciousness searches for its abandoned body, and a brutalised country searches for a voice. In a sequence of interconnected chapters the victims and the bereaved encounter censorship, denial, forgiveness and the echoing agony of the original trauma.
Human Acts is a universal book, utterly modern and profoundly timeless. Already a controversial bestseller and award-winning book in Korea, it confirms Han Kang as a writer of immense importance.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
This novel is a murder mystery, of sorts, that also has a lot to say about socio-economic divides in contemporary Korea. This was particularly interesting to me because when I lived there in the 1970s, everyone was poor. No one owned a motorbike, much less a car, and they were all barely scraping by. Now, though, great wealth and privilege have emerged alongside persistent poverty, and that class divide looks too familiar to Americans. The rich are privileged and have access to things the poor do not, including justice.
New York Times Book Review: Editor’s Choice Philadelphia Inquirer: Best Book of the Month World Literature Today: Notable Translation of the Year CrimeReads: Best International Crime Novel of the Year Ms. Magazine: Most Anticipated Book of the Year Washington Independent Review of Books: Favorite Book of the Year
Parasite meets The Good Son in this piercing psychological portrait of three women haunted by a brutal, unsolved crime.
In the summer of 2002, when Korea is abuzz over hosting the FIFA World Cup, eighteen-year-old Kim Hae-on is killed in what becomes known as the High School Beauty Murder. Two suspects quickly…
This is a surreal novel that suggests a complexity to modern Korean life that I can’t say that I’ve witnessed. It’s a novel of patterns—repeated images and passages that may be indicative of what it’s like to live in Seoul at this point in time. The main character has lost her job—and an odd job it was—but she is now even more immersed in the world of artists and writers, which is another reason the book spoke to me. The book was something of a challenge, given its shifts and ghost-like characters, but that too made it more exciting.
A seductive, disorienting novel that manipulates the fragile line between dreams and reality, by South Korea s leading contemporary writer
A startling and boundary-pushing novel, Untold Night and Day tells the story of a young woman s journey through Seoul over the course of a night and a day. It s 28-year-old Ayami s final day at her box-office job in Seoul s audio theater. Her night is spent walking the sweltering streets of the city with her former boss in search of Yeoni, their missing elderly friend, and her day is spent looking after a mysterious, visiting poet. Their…
Transforming Pandora, women's fiction with a metaphysical undercurrent, is written with humour and a light touch. As the plot slips between two time frames, separated by more than thirty years, the reader explores her life and loves: her ups and downs.
This one is set in North Korea and is by a sanctioned North Korean writer. As a result, there is no criticism directed at the North’s restrictive society and on the surface it isn’t at all political. Instead, it shows the mundane existence of a judge and his wife, ordinary people who work hard to contribute to the development of the nation. It seems to be about traditional values, and the rising prevalence of divorce is seen as a problem. Those of us who follow Korea rarely get this kind of insight into what life in the North is really like, and while these characters may be relatively privileged, their existence is tellingly monochromatic.
Paek Nam-nyong's Friend is a tale of marital intrigue, abuse, and divorce in North Korea. A woman in her thirties comes to a courthouse petitioning for a divorce. As the judge who hears her statement begins to investigate the case, the story unfolds into a broader consideration of love and marriage. The novel delves into its protagonists' past, describing how the couple first fell in love and then how their marriage deteriorated over the years. It chronicles the toll their acrimony takes on their son and their careers alongside the story of the judge's own marital troubles.
When Gulf War veteran, Aiken Alexander, brings his young and pregnant South Korean bride home to Virginia, he hopes they can both find acceptance. However, Soon-hee, can’t—or won’t—adjust to life in America. When Soon-hee disappears with their son, Aiken’s life and dreams fall apart—he loses his job and falls prey to his worst impulses. It is at this low point that Aiken’s story becomes interwoven with the Alexander family history going back generations, one that pitted brother against brother and now cousin against cousin, in a perfect storm of violence and dysfunction. Drawing on Korean beliefs in spirits and shamanism, how Aiken solves these problems—both corporeal and spiritual—is at the center of this dynamic and beautifully written debut novel.
Sor Juana Ines de la Cruz, this brilliant 17th century nun flew through Mexico City on the breeze of poetry and philosophy. She met with princes of the Church, and with the royalty of Spain and Mexico. Then she met a stunning, powerful woman with lavender eyes, la Vicereine Maria…
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
